Road Rage

The other day, while I was exiting the freeway, something came flying off of the car in front of me. It looked like a dog. A spread-eagle, floppy-eared dog, flying from their car, about to smash into mine.

Instinctively, I moved my head to the side like I was slipping a punch, as though that would be of any help once this thing came crashing through my windshield.

But when the thing hit the glass, it flattened out and slid innocuously down the side of my car. Turns out it was a plastic bag, momentarily inflated by the wind of the freeway into a surprisingly dog-like shape.

When I first started commuting on the freeway, incidents like this—everyday incidents of imminent or seemingly-imminent danger—used to spike my adrenaline for ten minutes. A car swerving into my lane, water obstructing my windshield in a rainstorm, cars braking suddenly ahead of me. These situations occurred almost every day during my half-hour commute. If they went wrong, any one of them could injure or kill me or another driver. It was terrifying. How did people deal with this, the stress of a life-or-death struggle for survival each day, on the way to and from work?

Now, after years of my commute, my adrenal system has adjusted to these constant assaults. I recover from the terror of impending death quickly, in seconds rather than minutes. Ah yes, almost died again! Back to business! If I were safely aboard a roller-coaster, a scare like this would leave me shaken, frightened, exhilarated. But faced with an actual brush with death, drivers are calm, nonchalant, fiddling with the radio and thinking about lunch.

When we fly in airplanes, we are aware of the unnaturalness of the process. We are four-thousand feet in the air, hurtling forward at 500 miles per hour. This is nothing our bodies were designed to experience. We think about the space below us, between us and the ground, about what would happen if the bottom of that plane weren’t there. Even the more calm passengers gasp when the plane buckles and drops in a patch of rough air.

We should feel like that in a car. Our bodies weren’t made to move at eighty or even twenty-five miles per hour any more than they were made to fly thousands of feet in the air. We should have the same feelings of wrongness, of recognizing our own fragility as we pretend to be birds or cheetahs. But we are raised in cars, lulled to sleep as children by their gentle rocking motions, packed into their backseats for family trips, told that we are true adults when we learn how to command one ourselves. So we minimize the terror, or even come to enjoy it. People who are scared of driving are told they are crazy, that they have anxiety, that they require medication. They are not told, Navigating a two-ton vehicle that could easily kill you or someone else is pretty stressful. Maybe you shouldn’t do it.

Most people seem to believe the anonymity of the other drivers is what leads to the irrational anger that we feel when we drive, and I agree. It’s easy to be furious with someone you can barely see, someone driving too slowly, or too quickly, someone getting in your way. On foot, we stop for each other, hold doors open, give a wide berth to someone tapping a cane or using a wheelchair. On the road, we see not people but cars, faceless machines, machines that obstruct and endanger us as we maneuver our own machines around them.

But I think our rage must be fueled by a second factor: the constant, low-lying terror of death. The cars that get in our way are not only annoying us, like someone pushing past us on a busy sidewalk; they’re endangering our lives. Even when we are furious about someone too slow, someone getting in our way, the driving equivalent of the old lady pushing her walker down the sidewalk, I think it is our terror that enrages us. Surely, some part of our rational brains must have to shut down in order for us to not experience constant terror when we drive, and so we cannot think rationally. We don’t think, This man driving too slow in the fast lane is probably confused, or from another country with different rules, or unaware of his speed. Poor guy. I should be nice to him. No, we hate the man, make a point to glare at him as we pass by, cut aggressively in front of him as soon as we have passed him on the right. The qualities of kindness and empathy that are so carefully socialized into us as small children disappear, and all that is left is the logic of war.

Tantrums

I love a good tantrum. There are few things I find so adorable or intriguing than a two-year-old child standing in a line somewhere, at a grocery store or a bank, flying into a screaming, quivering mess of rage. This scene rates up there with a robin lovingly placing a twig into a nest or a spider methodically immobilizing a fruit-fly or a seven-pound Chihuahua trying to pick a fight with an indifferent golden retriever.

It’s one of those moments when we witness nature in all of its beautiful, brutal illogic, and we can really enjoy it because we are only, in this moment, spectators, no more responsible for quieting this unknown child than we are for rescuing a fly from a spider.

Childless people aren’t supposed to think that tantrums are cute. I’ve seen my friends bristle. Can’t they control their child, they sneer? I’d be happy to discipline your son for you, ma’am.

I think I might feel similar annoyance if it were my child, or some child I was responsible for, who was disturbing everyone’s tranquil day at the bank. But if it’s not my job to make the child be quiet, I can really enjoy the beauty of the tantrum, a display of unchecked emotion the likes of which adults pay good money to see in melodramatic tearjerker films and action movies, because we so rarely get to see such a thing in our normal adult lives, and when we do it’s usually not pleasant.

Bored, tired, hungry two-year-olds don’t just cry. They wail. They sob until they shake and hiccup. Their faces crumple in utter, inconsolable anguish.

As adults, the only time we cry like that is when somebody dies or when we have our hearts very badly broken. We never allow ourselves to wail in agony simply because we are tired, because we are hungry, because we feel needs beyond what is possible or plausible or even rational. We tell ourselves that such behavior is self-pitying, self-indulgent, babyish.

I used to have a rule, when I was a teenager, that I was not allowed to cry. It was a rule that I broke a lot at first, but with practice, I got pretty good at complying. I associated crying with self-pity, and I felt that it was very important not to ever feel sorry for myself. Self-pity was a foolish, self-indulgent, wasted emotion. Crying was a sign of weakness and defeat.

As an adult, self-pity has become one of my favorite emotions. I find it sweet and nostalgic, like looking at old photographs of that teenager who was so determined never to feel the emotion that has now ironically come to be equated with her.

Perhaps my love of self-pity comes from the fact that, the older I get, the more convinced I am that my emotions come from my body. You can’t really stop yourself from feeling angry when you are treated unjustly, even if you know your anger is counterproductive, or from grieving when someone dies, even if you know it was the right time for them to go, or from falling in love, even when you know it’s a bad idea. The more I pay attention to it, the more self-pity seems to spring from that same carnal, physical place, that same cocktail of chemicals in the brain and blood. When I notice it, it tends to be a good sign, an effect of pushing myself and of feeling things fully.

For example, when I am working out, self-pity is a sign that I am training hard enough, just to the edge of running myself completely into the ground. I stumble into my kickboxing class, exhausted from the other kickboxing class and the running and weightlifting that I just did, and I think, a thought that is not expressed in words but in some more primal, pre-verbal language: I can’t. I catch clichéd, melodramatic phrases floating through my head, like Morrissey lyrics playing in the back of my brain: Why do I have to do this? Why is my life so hard? I’m so, so tired. I don't think it's possible to be this tired.

Once I become aware of these thoughts, I smile in pleasure. They are like old friends, and I know it’s a privilege to get to be pushed to the place where I feel those things. Their illogic is part of their beauty, because our emotions are so often illogical, and that is what makes us bodies and not just minds. It’s only when we try to align our emotions with logic that we evoke all the bad connotations of self-pity: self-centeredness, self-righteousness, lack of generosity, blame. To enjoy self-pity, we need to accept that we have bodies and emotions that make us feel bad sometimes, and that there is no one at fault for those bad feelings; they’re just a crappy part of being alive.

I had lunch a while ago with my friend Samantha and her two-year-old son. He told her that he didn’t want to eat anything. She ordered him some fruit and yogurt, telling him that if he didn’t want to eat it, she and I would.

When the food came, Sunny sat staring at his beautiful bowl of creamy yogurt and plump, ripe berries.

“Are you going to eat any?” Samantha asked him after twenty minutes had passed and he still had not touched his food.

“No!” he said, shaking his head decisively.

“Not even one little bite?” Samantha asked, holding a tantalizing red raspberry under his nose.

He clamped his mouth tight and shook his head again.

“If you don’t want any, we’re going to eat it,” said Samantha. “Karin, do you want some fruit?”

I grabbed a giant blackberry out of the bowl and put it in my mouth. “Mmm, yummy,” I said, trying to persuade Sunny to share my enthusiasm.

Instead, his face erupted into a rictus of utter despair. Like thunder following lightning, it took just a moment for the uncontrollable sobbing to break.

“What’s wrong?” Samantha asked him, seeming honestly perplexed, as the couple behind her turned to stare. “Why are you crying?”

Sunny was weeping so forcefully that he could barely talk. “Because…now…I can’t have it all!” he wailed.

This illogic is what makes tantrums so beautiful. They express some fundamental part of the human condition, pure want, pure dissatisfaction. When I see children screaming in a store, often their parents aren’t even trying to reason with them or appease them or punish them, because the tantrum has taken on a life of its own, disconnected from its original cause. They aren’t crying because Mom won’t buy them a stuffed animal or a candy bar, or because they have to stand in a boring line instead of going to the park right now. They are crying because the void of want is so vast and gaping that it is impossible to fill. Two-year-olds are realizing, for the first time, that once we get to the point of lamenting that void, it is too late to fill it, and all that is left to do is scream.

The Dorks

The dorks hang out in a small dining room off the the side of the Las Pecinas cafeteria. At any hour of the day you’ll find them there, filling up the little square tables across from the vending machines—dorks of all shapes and colors and ages and sizes.

It seems as though every table has at least one laptop; more often, there are several competing laptops, their owners conversing over the tops of their unfolded screens. But upon closer inspection one table does not bear a computer. The occupants of this table are spreading a colorful pack of ornate playing cards across its surface like a tarot reading.

They are debating loudly whenever I go in there. Their tone is urgent and impassioned, but I don’t understand what they’re saying. It’s heavy with dork jargon, like, “The way Voltaic Key works with the Phyrexian Colossus is classic,” or “For a good Tank who is watching the mana level of the Healer, it can be even MORE annoying because the DPS getting the group into combat again just further slows down the Healer from regaining mana and allowing the group to move forward with speed.” I sometimes try to memorize snippets of their conversations so I can investigate what it is that they are arguing about, but it’s like trying to recite a sentence in a language you’ve never heard before. By the time I get back to my office, the syllables in my head are all garbled and the words are out of order.

I love the dorks, and these showy debates are one of the main reasons. Las Pecinas is a college, yet the side room is one of the only places where I hear the sounds I associate with college, students obsessed with some intellectual principle, defending it with all the unwarranted zealotry of the newly converted.

I seldom hear this sort of fervor from the student body at large. As I traverse the campus, I pass homogeneous groups of students: three tall boys in basketball jerseys, two white girls in tight leggings and sheepskin boots, four Afghani women in headscarves. What I overhear of their conversations is seldom academic in nature, and never sounds like a debate. They are often talking about their plans for the weekend, whether they will go to the club. Or they are discussing one of their friends: I totally can’t stand her boyfriend! Often what I hear is offensive: What a retard! Dude, that’s so gay. I was like, if you’re not gonna learn English you should just go back to Mexico.

The most academic-sounding discussions I hear are when they assess their classes or teachers: That test was hella hard, or Yeah, my econ teacher’s okay but she’s kind of scattered. The most serious students seem to be accounting their progress through their course requirements: I have two more bio classes to go, and then I can transfer.

The odd times that I pass a student saying something like, I don’t know if I can support socialism, or But are people always entitled to freedom of speech, I want to hug the speaker, even if I disagree entirely with his or her views. You have an opinion, I want to congratulate them! Welcome to college!

It seems that many of the students at my school have some of that high-schoolish distance from what they are learning that is the hallmark of compulsory education. It is no wonder that students sometimes call Las Pecinas thirteenth grade. The students are sweet and earnest and hard-working, but they often seem to regard their courses as a series of hurdles rather than a body of information.

The subjects that the dorks are debating are not usually academic either, other than the occasional snippet of what sounds like computer science. But they are the closest thing that I regularly hear to that impassioned intensity of thought that to me means college.

The very fact that there are dorks, that this social category exists, that they can be located to one corner of the cafeteria, speaks to the high-schoolishness of my college. I always thought one of the best innovations of the transition into college is that the cliquey social distinctions of high school ease up. At a place where everyone is there to learn, ostracizing some people because they are too passionate about knowledge—because they discuss it too loudly, because the knowledge they enjoy is too esoteric—seems declassee.

In fact, it seems that being a dork is the very reason somebody should come to college. Isn’t college a place where people are supposed to care too much—about medieval history, the phonetic system of native African languages, distant corners of the galaxy, particles too small to be seen in a regular microscope? About transcendentalism, existentialism, Sufism, phenomenology? Shouldn’t all of the students be shouting loudly about something no one else understands, making fools of themselves? Shouldn’t the vending machine room extend beyond the walls of the cafeteria, through the library and the classrooms and the quads and the parking lots, to every place where there are college students?